Bone Caves (California Coastline)
400 x182 x 7 cm (220 x 180 x 7 cm and 180 x 180 x 7 cm each panels), 2024
Bleached coral bone, cowrie shell, purple clam, conch shell, scallop shell, green tusk shell, california ochre and soil, magnetite, pink coral (tubipora musica), copper, Ilmenite, chalcopyrite, tourmaline, plastic, obsidian, malachite, blue coral (heliopora coerulea), azurite and other hand-made pigments on flax stretched over boards
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400 x182 x 7 cm (220 x 180 x 7 cm and 180 x 180 x 7 cm each panels), 2024
Bleached coral bone, cowrie shell, purple clam, conch shell, scallop shell, green tusk shell, california ochre and soil, magnetite, pink coral (tubipora musica), copper, Ilmenite, chalcopyrite, tourmaline, plastic, obsidian, malachite, blue coral (heliopora coerulea), azurite and other hand-made pigments on flax stretched over boards
Installation views from “ Precious” at Albion Jeune, London, 2024
What Is the Sky Made of, Other Than Its Blueness (2024) 56 x 31 x 5 cm
Azurite, chalcopyrite, china fir charcoal, japanese gofun, cowrie shell, clam fossil, and other hand-made pigments on board![]()
What Is the Sky Made of, Other Than Its Blueness
56 x 31 x 5 cm, 2024
Azurite, chalcopyrite, china fir charcoal, japanese gofun, cowrie shell, clam fossil, and other hand-made pigments on board
What Is the Sky Made of, Other Than Its Blueness (2024) 56 x 31 x 5 cm
Azurite, chalcopyrite, china fir charcoal, japanese gofun, cowrie shell, clam fossil, and other hand-made pigments on board
What Is the Sky Made of, Other Than Its Blueness56 x 31 x 5 cm, 2024
Azurite, chalcopyrite, china fir charcoal, japanese gofun, cowrie shell, clam fossil, and other hand-made pigments on board
Copper and Sea Snails (California Coastline)
235 x 155 x 5.5 cm, 2024
Copper, chalcopyrite, malachite, copper oxide, synthetic copper, green soil, sand, white mica, ochre, hematite, dupont titanium dioxide, gofun, cowrie shells and other hand-made pigments on flax stretched over wooden frame
A Chase for Treasure (2024)![]()
A Chase for Treasure
25.1 x 18.3 x 3.6 cm, 2024
Silver powder, diamond powder, green tusk shell, cowrie shell, pismo clam, purple clam, pink coral (tubipora musica), soil, and other hand- made pigments on hand-shaped wood
235 x 155 x 5.5 cm, 2024
Copper, chalcopyrite, malachite, copper oxide, synthetic copper, green soil, sand, white mica, ochre, hematite, dupont titanium dioxide, gofun, cowrie shells and other hand-made pigments on flax stretched over wooden frame
A Chase for Treasure (2024)
A Chase for Treasure25.1 x 18.3 x 3.6 cm, 2024
Silver powder, diamond powder, green tusk shell, cowrie shell, pismo clam, purple clam, pink coral (tubipora musica), soil, and other hand- made pigments on hand-shaped wood
The Sky Trades with the Land in Shallow Water (California Coastline)
213 x 254 x 5.5 cm (213 x 126 x 5.5 cm each), 2024
California soil, hematite, realgar, synthetic mauveine, orpiment, purple shale, ochre, azurite, cowrie shell, brick fragment, conch shell, japanese gofun, red volcanic ash, mica and other hand-made pigments on flax stretched over wooden frames
213 x 254 x 5.5 cm (213 x 126 x 5.5 cm each), 2024
California soil, hematite, realgar, synthetic mauveine, orpiment, purple shale, ochre, azurite, cowrie shell, brick fragment, conch shell, japanese gofun, red volcanic ash, mica and other hand-made pigments on flax stretched over wooden frames
Installation views from” Uncanny Valley” at Gagosian, HongKong, 2023
Work on the left: Smoke Becoming Cloud #3 (Mauna Kea, Hawaii)
205x115x5.5cm, 2022
Black volcanic ash, brown volcanic ash, soil, white pearl, malachite, Thangka pigment, purple shale, San Cian Ben glue, ceramic powder, jade and other hand-made pigment on board.
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Wine-dark Sea #2 (Elephant Trunk Tunnel)
320 × 180 × 5.5cm, 2022
Plastic powder, camphor tree lake pigment, white pearls, clam fossil powder, various colors of soil, hematite pigment, granite, lazurite, indigo lake pigment, calcite, Synthetic Mauveine and Violet, and other hand-made pigments on flax stretched over curved panels
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Work on the left: Smoke Becoming Cloud #3 (Mauna Kea, Hawaii)
205x115x5.5cm, 2022
Black volcanic ash, brown volcanic ash, soil, white pearl, malachite, Thangka pigment, purple shale, San Cian Ben glue, ceramic powder, jade and other hand-made pigment on board.
Wine-dark Sea #2 (Elephant Trunk Tunnel) 320 × 180 × 5.5cm, 2022
Plastic powder, camphor tree lake pigment, white pearls, clam fossil powder, various colors of soil, hematite pigment, granite, lazurite, indigo lake pigment, calcite, Synthetic Mauveine and Violet, and other hand-made pigments on flax stretched over curved panels
Profile of a Crater (Tatun Volcano Taipei)
115.3 x 203.8 x 5.4cm,2022
Various colors of volcanic ashes, conch shell powder, soil, yellow ochre, ceramic powder and gesso on board
Smoke Becoming Cloud (Mauna Kea, Hawaii)
115.3 x 203.8 x 5.4cm,2022
Various colors of volcanic ashes, white pearl powder, Iwa-enogu, realgar powder, soil and gesso on board
Left: Coloring Clouds
22.1 × 15.1 × 3.9cm,2022
White pearls, bleached corals bone, amazonyte stone, clamshell powder, yellow jade, white crystal, animal skin glue, acrylic paint and soil on hand-shaped wood
Right: Cloud whitening,
20 x 15.7 x 4.2 centimeters, 2022
Amazonite powder, DuPont titanium dioxide, bleached coral powder, clam fossil powder, topaz pigment, gum, honey, indigo lake pigment, soil and other hand-made pigments on hand-shaped
Smoke Engulfs
174 x 216 x 5.5 cm（Depth of the base: 80 cm), 2022
Various colors of volcanic ashes and mud, iwa-enogu, soil, sand and other hand-made pigments on canvas stretched over wooden frame
Mountain in Boil170 x 220 x 5.5 cm（depth of the base: 80 cm), 2022
Realgar, sulfur, cinnabar, black volcanic ash, cochineal lake pigment, purple shale powder, coal dust, and other hand-made pigments on canvas stretched over wooden frame
Cloud Nest174 x 216 x 5.5 cm（depth of the base: 80 cm), 2022
Soil, iwa-enogu, clam fossil powder, various colors of volcanic ashes, cochineal lake pigment, ceramic powders, plaster powders and other hand-made pigments on canvas stretched over wooden frame
Nocturnal (The Ring of Fire)
2022, various colors of volcanic ashes and mud, hand-made water color, plant-extracted ink, soil on hand-shaped wood, 25 x 18 x 3.2 cm
Nocturnal (The Ring of Fire)
25 x 18 x 3.2 cm, 2022
Various colors of volcanic ashes and mud, hand-made water color, plant-extracted ink, soil on hand-shaped wood
Earthflow
240x130x5.5cm, 2022
Ochre, soil, cochineal lake pigment, purple shale powder, madder Root lake pigment, titanium dioxide and other hand-made pigments stretched over board
With or without the sun （Su’ao-Hualien Roadway), 130x225x5.4cm, 2021
Sand, coral pigments, ferric oxide, white sugar, crystal dust, sulfur, soil, red ore, tourmaline dust and other hand-made pigments on board
Details, With or without the sun (Su’ao-Hualien Roadway)
Wine-dark Sea ( Gukut Cliff) , 130x225x5.3cm, 2021
Camphor tree pigment, egg shell powder, lithargite (massicot) , clam fossil powder, soil, ferric oxide, granite ash, green sandstone, synthetic mauveine and violet, flax stretched over boards.
Camphor tree pigment, egg shell powder, lithargite (massicot) , clam fossil powder, soil, ferric oxide, granite ash, green sandstone, synthetic mauveine and violet, flax stretched over boards.
Collecting yellows 2019-2021, 25X18X3.2CM, 2021,
Lithargite ( massicot), camphor tree lake pigment, orpiment, mandarin melon berry lake pigment, eggshell pigment, sulfur, soil and other hand-made pigments on hand-shaped wood.
Lithargite ( massicot), camphor tree lake pigment, orpiment, mandarin melon berry lake pigment, eggshell pigment, sulfur, soil and other hand-made pigments on hand-shaped wood.
Installation views from ‘The Rearview Landscape, or a Trip of Ownership’, UCCA Dune, Qing Huang Dao
Images Courtesy UCCA center for Comtemporary Art
Realgar powder and other hand-made pigments on hand-shaped wood
Study of rubbles #1, 2021, 19X30.3X4.2cm
Sand, soil, seashell powder, oil, plant-extracted ink, realgar powder and other hand-made pigments on hand-shaped wood
Sand, soil, seashell powder, oil, plant-extracted ink, realgar powder and other hand-made pigments on hand-shaped wood
Study of rubbles #2, 18.3X30X4.2cm, 2021
Sand, soil, crystal dust, white sugar, honey and other hand-made pigments on hand-shaped wood
Sand, soil, crystal dust, white sugar, honey and other hand-made pigments on hand-shaped wood
North Pacific gyre, 24.6X18.1X3.2cm, 2021
Conch shell powder, green sandstone powder, coral pigments, meretrix powder and other handmade pigments on hand-shaped wood
Conch shell powder, green sandstone powder, coral pigments, meretrix powder and other handmade pigments on hand-shaped wood
A landscape of crafting white (2018-2021), 15x18.5x4cm , 2021
Conch shell powder, kaolin clay , clam fossil powder, calcium carbonate powder, titanium dioxide, red clay and other hand-made pigments on board
Conch shell powder, kaolin clay , clam fossil powder, calcium carbonate powder, titanium dioxide, red clay and other hand-made pigments on board
Multiple visits, 110x200cm, 2021
Coral pigments, ferric oxide, soil, realgar, sand, clam fossil powder and other hand-made pigments on flax stretched over board
Coral pigments, ferric oxide, soil, realgar, sand, clam fossil powder and other hand-made pigments on flax stretched over board
The sound of cloud, 120x215cm, 2021
Ferric oxide, soil, carmine lake, sulfur, lazurite pigment, crystal dust, titanium dioxide and other hand-made pigments on flax stretched over board
Ferric oxide, soil, carmine lake, sulfur, lazurite pigment, crystal dust, titanium dioxide and other hand-made pigments on flax stretched over board
The shadow of red, 2021, 90x170cm, Oil, synthetic mauveine, soil, carmine lake and handmade pigment and pastel on flax mounted on board
Details, The shadow of red
Right: Details, Counting in the dark
Red woods, 2020,15x7.5x6.2cm, Acrylic, hand-made pigments and gesso on hand-shaped wood
River mouth, 2021,Oil, clam fossil powder, pigments, soil and resin on hand-shaped plywood
Cabin pressure, 2020, 15x7.8x6.2, Handmade pigment, acrylic paint and gesso on wood
Blue butterfly (LCD), 2020, 16x8x4cm, Acrylic, handmade pigment, resin and fabric on wood
Vertical scrolling, 2020, 8x14.8x6cm, acrylic and gesso on hand-shaped wood
Album, 2020, 16x7x6.2cm, handmade pigment, acrylic paint and gesso on hand-shaped wood
Superficial time, Long distance call
Installation view from the exhibition 'Almost no memory', Madein Gallery, Shanghai
Selected works from the series 'Every Day about this Time'